Lira da braccio

This peculiar instrument appeared in renaissance Italy as a model of classical Greek instruments, but with the influences of the stringed instruments of the time.

The idea was to be able to play an instrument and at the same time sing or recite with the accompaniment of its strings. This is why this instrument had its heyday in the 15th and 16th centuries and disappeared completely with the arrival of the baroque period.

The lira da braccio was popular in the courts of northern Italy, especially in cities such as Florence, Ferrara and Venice. It was used by poet-musicians who sought to revive and reinterpret classical musical traditions. In this context, the lira da braccio not only served as a musical accompaniment, but was also a symbol of cultural and artistic prestige. 

The Lira da braccio appears to be an evolution of the medieval fidula and to be the predecessor of the violin. It has seven strings, five on the neck itself and two on the outside as drones. The tuning of the instrument allows it to play chords and accompanied melodies. Its sound is sweet and soft.

Only six original liras from the 16th century have survived.